LOOB. LALIM. LAKAS. The twentieth edition of the Cinemalaya, the Philippines’ premier independent film festival, banners the immense power and fearless truthtelling of Filipino independent film. This marks a two-decade run for the festival, which served as home for some of the country’s most unforgettable indie titles. This year, Cinemalaya screens ten full-length features and ten short films from both rising and established Filipino filmmakers.
This comprehensive guide includes everything you need to know about #CinemalayaXX. Inside are the dates, synopses of competing films, posters, trailers, screening schedules, ticketing information, and more.
When (and where) will Cinemalaya 2024 happen?
The 2024 Cinemalaya Independent Film Festival will take place from August 2nd through 11th, 2024. The films will be screened in select Ayala Cinemas, including Ayala Malls Manila Bay. It’s also safe to assume that the Cultural Center of the Philippines will have screenings; similarly, FDCP Cinematheques will likely screen Cinemalaya 2024 films, too.
Be on the lookout for the full screening schedules. We’ll share them once they become available.
How much are the tickets and festival passes going to cost?
No official word on the cost of the tickets yet, but if we use last year’s ticket prices as a benchmark, the prices would be:
- PHP 300 for regular-priced tickets
- PHP 200 for discounted tickets (for students)
Cinemalaya also will likely offer discounts for PWDs, Senior Citizens, Athletes, and Government/Military Personnel.
Festival passes will also likely be available. Last year’s passes cost PHP 2,880 and included priority access to feature films and short films in competition (12 screenings in total) and complimentary access to Visions of Asia screenings.
What are the full-length and short films screening this year?
This year, Cinemalaya is screening ten full-length films and ten short films in competition. The full-length features include a wide range of films, including Kip Oebanda’s Balota, Joshua Caesar Medroso’s Kantil, and Jonathan Jurilla’s Love Child.
After the bump, get a full look at each Cinemalaya 2024 entry, plus a rundown of this year’s competing short films.
Alipato at Muog
Directed by JL Burgos.
The abduction of Jonas Burgos in 2007 was brazen – done at noontime in a crowded mall. As his family launched their search, a car plate brought them face to face with powerful forces. Despite insurmountable barriers, anonymous informants have dropped leads and even provided the last known photo of Jonas in captivity. Edita, the 80-year old mother, and her filmmaker son lead the long and arduous fight for justice. Presented through testimonials of their lawyer, a reporter, a former Justice Secretary and Human Rights Commission Chair, and witnesses who agreed to appear on condition of anonymity, combined with animation and never-before-seen footage of the family’s relentless search, the documentary film weaves the stories together to uncover the truths, however painful, about the brother’s disappearance.
AN ERRAND
Directed by Dominic Bekaert.
Moroy, a driver, is jolted awake in the dead of night by an urgent call from SIR, his middle-aged boss, demanding he fetch his Viagra. Speeding off from Baguio to Manila, Moroy’s mind drifts between reality and fantasy, unveiling SIR’s secrets and reflecting on his interactions with fellow drivers and Brenda, SIR’s office mistress. As the long journey unfolds, Moroy undergoes a profound transformation. Upon his return, Moroy finds himself forever changed,
Balota
Directed by Kip Oebanda.
During the 2007 elections, a former sexy star and a land-grabbing tycoon are in a tight race for mayor. Emmy, a strict yet popular teacher in a small town, is assigned to the Board of Election Inspectors for her local precinct. When violence erupts, she runs into the forest with a ballot box containing the last copy of the election results. Armed only with her resourcefulness, courage and wit, she tries to outmaneuver the goons who want the elections to fail. Her loved ones and community are caught in the crossfire as she pays an increasingly steep price for defending the democratic process.
Gulay Lang, Manong
Directed by Bc Amparado.
Struggling farmer Pilo Sabado faces trouble when his grandson Ricky gets involved in the cannabis trade with his friend Razer. As the local drug war heats up, Ricky is caught by police officer Ariel Lacson. Ariel offers Pilo a deal: help catch Razer, and Ricky goes free. As they dive deeper into the cartel, they discover the cannabis trade is linked to a powerful senator with personal reasons for involvement. This revelation shakes Pilo and Ariel, making them choose between their future and doing the right thing amidst betrayals and shifting alliances.
Kantil
Directed by Joshua Caesar Medroso.
Star-crossed lovers Paleng and Eliong bid farewell as their love is threatened by the imminent demolition of Paleng’s coastal village. However, when a fisherman discovers a mysterious alien shell lurking in a trench, the community is confronted with a wave of hope and intrigue, jealousy and fear. As tensions surge like an incoming tide, their tangled lives unravel secrets on how to navigate the turbulent waters ahead, their ultimate survival depends on hidden truths that need to be retrieved from the depths of the trench.
Kono Basho
Directed by Jaime Pacena Ii.
Ella, a 28-year-old Filipina anthropologist, travels to Rikuzentakata City for her estranged father Emman’s funeral, where she navigates the cultural and emotional complexities of his second family, including her Japanese half-sister, Reina. As they confront their intertwined histories, Ella and Reina find solace and connection, each reevaluating their perceptions of their father. Their journey of self-discovery intersects with Rikuzentakata’s post-2011 earthquake and tsunami recovery. Discovering their father’s photographs propels them on a path of rediscovery, exploring their relationships and individual identities. This poignant narrative explores themes of family, loss, identity, and renewal, reflecting deeply on the Filipino diaspora amid a backdrop of historical trauma.
Love Child
Directed by Jonathan Jurilla.
College sweethearts Ayla and Paolo decide to drop out of school to start a family after a whirlwind romance leads to an unplanned pregnancy. Four years later, they are devastated to learn that their son, Kali, is diagnosed with autism. As they navigate the complexities of raising a child with special needs, they confront an increasingly unsupportive environment. Their journey challenges their relationship and the dream of a complete, harmonious family, forcing them to find strength and resilience in the face of adversity.
The Hearing
Directed by Lawrence Fajardo.
Lucas, a deaf boy from a small fishing village, is sexually abused by Fr. Mejor, an influential priest. After his parents Madonna and Dante discover the truth, they decide to file a court case against the priest despite the obstacles in their way. In their pursuit of justice, they cross paths with sign language interpreter Maya, who has also witnessed powerful people manipulate the results of cases. In a society where few choose to listen, how can they win against forces that silence those who cannot speak and break the souls of those who can?
The Wedding Dance
Directed by Julius Lumiqued.
Following the Japanese invasion in the 1940s, Awiyao comes home to his wife Lumnay to ask her to attend the wedding dance, an invitation that stirs memories of joy, pain, and emptiness. It is an invitation to celebrate his new wedding dance.
Tumandok
Directed by Richard Jeroui Salvadico & Arlie Sweet Sumagaysay.
Despite contentions from historians, legend has it that in ancient times, an Ati chieftain traded their land to Bornean datus for a necklace and a wide-brimmed hat made of gold. The mountains were left to the Atis, while the plains and rivers went to the Malays. Today, even the mountains are under threat, sometimes violently taken from the Atis.
Featuring an all-Ati non-professional acting ensemble, speaking in their own language, Inati, the film reveals the struggle of these indigenous people to reclaim their land. As one Ati once said, “Tell us where the end of the earth is, and we will go there to live in peace, untouched.”
As for short films, this year’s selection comprises of a good mix of shorts. Like in past editions, Cinemalaya is screening all ten short films, splitting them into two five-short film volumes. We’ve listed the short films after the bump:
- All This Wasted Space (dir. Cris Bringas)
- Ambot Wa Ko Kabalo Unsay I-Title Ani (dir. Rey Anthony Villaverde)
- An Baga Sa Dalan (dir. Mariel Ritchie Jolejole & Roniño Dolim)
- Cross My Heart and Hope to Die (dir. Sam Manacsa)
- i was walking on the streets of chinatown (dir. Ryan Capili)
- Mama (dir. Alexandra Brizuela)
- Mariposa (dir. Melanie Faye)
- Pamalandong sa Danow (dir. Breech Asher Harani)
- Primetime Mother (dir. Sonny Calvento)
Find this Facebook post on Cinemalaya’s page for the full synopses and posters of the short films.
Like previous years, Cinemalaya 2024 will also likely hold screenings for staple sections like Visions of Asia and Gawad CCP.
What are the opening and closing films this year?
This year, Sheron Dayoc’s long-awaited Gospel of the Beast will open the 2024 Cinemalaya Independent Film Festival. The film stars Jansen Magpusao as 15-year-old Mateo who, after a horrific incident, spirals into a life filled with “harrowing realities of life, death, and beasthood.”
Where can I see the screening schedules for Cinemalaya 2024?
As of press time, Cinemalaya hasn’t yet released the full screening schedules for the festival. We’ll post them here once they become available.
How do I learn more?
To learn more, you can visit Cinemalaya’s official social pages, which we’ve listed below: