I Am A God: Revisiting Dodo Dayao’s triumphant debut “Violator”

Editor’s Note: This post originally appeared on the author’s personal blog in 2015, and later republished as an abridged piece on Film Police Reviews. This new iteration has minor edits. s first features go, Eduardo ‘Dodo‘ Dayao’s Violator (’14) is leaned more towards an introduction of voice rather than a statement. I saw it for the first time

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